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Philip Sidney praised concrete imagery in poetry in his 1595 treatise, Apologie for Poetrie.
A century later, Neoclassical thought tended to value the generality of abstract thought. Eliot added to this school of thought with his theory of the "objective correlative." Contrast with concrete diction / concrete imagery. As the term becomes more widespread, the periods vanish (e.g.
Sleipnir, the magical horse in Norse mythology, is a regular horse, except it has eight legs.
Deities and demons in the Hindu pantheon often have multiple arms or eyes.
For instance, Psalm 118 in the Douay-Rheims numbering of the Bible (or number 119 in the King James numbering of the Bible) is an abecedarian acrostic, with each stanza headed by one of the letters of the Hebrew alphabet, such as Aleph, Beth, Gimel, and so on. Renaissance examples of acrostic poetry include the preface to Ben Jonson's "The Alchemist."ACT: A major division in a play.
Often, individual acts are divided into smaller units ("scenes") that all take place in a specific location.
(Shakespeare's plays have natural divisions that can be taken as the breaks between acts as well; later editors inserted clear "act" and "scene" markings in these locations.) From about 1650 CE onward, most plays followed the five-act model.
On the other hand, in most indoor theaters like the Blackfriars Theater, musicians above the stage would perform in a curtained alcove here. The preference for abstract or concrete imagery varies from century to century.
Prominent members of the movement include Nikolay Gumilyov and Sergey Gorodetski. In general, acronyms first appear with periods to indicate the abbreviations, (e. Apart from puzzles in newspapers and magazines, the most common modern versions involve the first letters of each line forming a single word when read downwards.
An acrostic that involves the sequential letters of the alphabet is said to be an abecedarius or an abecedarian poem.
Horace coins the phrase in his treatise, Ars Poeticae, a treatise not to be confused with the Poetics of Aristotle. ABLAUT: Jacob Grimm's term for the way in which Old English strong verbs formed their preterites by a vowel change. An example would be the principal parts of Old English strong verbs such as ABOLITIONIST LITERATURE: Literature, poetry, pamphlets, or propaganda written in the nineteenth century for the express purpose of condemning slaveholders, encouraging the release and emancipation of slaves, or abolishing slavery altogether.
This literature might take the form of autobiographical writings (in the case of many slave narratives) or fictional accounts such as Stowe's .
In the early 1800s, the Romantic poets like Wordsworth, Coleridge, and Shelley once again preferred concreteness. Hulme attempted to create a theory of concrete poetry. ABSTRACT POEM: Verse that makes little sense grammatically or syntactically but which relies on auditory patterns to create its meaning or poetic effects; Dame Edith Sitwell popularized the term, considering this verse form the equivalent of abstract painting (Deutsche 7). LASER), and eventually the capitalization falls away as the word enters common usage (e.g.